Governor Tim Walz Encouraged Residents to Stalk and Harass ICE While Agent Was...
Dem Bennie Thompson: Kristi Noem Signaling to ICE Agents They Can Execute Citizens...
Jasmine Crockett’s Aides Try to Hide Her Quick Escape From Reporter With… Poster...
BREAKING: Another Officer-Involved Shooting In Minneapolis As ICE Agent Is Attacked
Wife, Family of Renee Good Hire Lawyer Who Represented George Floyd’s Family
Woman Calls for Liberals to Target ICE Agent in Her Neighborhood, Finds Out
David Frum Says Trump Allows Iranian Protesters to Die While Preparing to Kill...
TRIGGERED: Here's the Kind of Shrieking That ICE Agents Have to Put Up...
Independent Woman Ambassador Allie Coghan on Her Lawsuit and Greek Life Nightmare
Protester Says Officers Shot Him in the Face at Close Range With Non-Lethal...
Daily Beast Gloats Over 'Whistleblower’ Revealing Personal Data of ICE Agents in Data...
House Oversight Posts Audio and Video From Hillary Clinton's Deposition (When's the Arrest...
Bluesky Takes a Shot at X While Recognizing It as the 'Global Town...
Illegal Tries to Ram His Way Out of ICE Vehicle Blockade; One Officer...
Here's How Seriously ANOTHER Dem Takes Their Warning About Devastation Climate Change Will...

Vox: Beethoven's Fifth Symphony 'is a symbol of exclusion and elitism' to women, LGBTQ+ people, and people of color

Sorry, classical music fans, but Ludwig van Beethoven’s been canceled. Well, maybe not Beethoven himself, although he was a white European male, but his Fifth Symphony in particular, which according to Vox “put the classism in classical music.”

Advertisement

OK, why? Nate Sloan and Charlie Harding start with the theory that the symphony is “a metaphor for Beethoven’s personal resilience in the face of his oncoming deafness” (a pretty common belief) and take it from there:

Or rather, that’s long been the popular read among wealthy white men who embraced Beethoven and turned his symphony into a symbol of their superiority and importance. For others — women, LGBTQ+ people, people of color — Beethoven’s symphony is predominantly a reminder of classical music’s history of exclusion and elitism. One New York City classical music fan wrote in the 1840s, for example, that he wished that “all women shall be gagged by officers duly licensed for the purpose before they’re allowed to enter a concert room.”

Today, some aspects of classical culture are still about policing who’s in and who’s out, and it all started with Beethoven’s Fifth. When you walk into a standard concert hall, there’s an established set of conventions and etiquette (“don’t cough!”; “don’t cheer!”; “dress appropriately!”) that’s more about demonstrating belonging than appreciating the music.

Advertisement

Seriously? For all but wealthy white men, Beethoven’s Fifth “is predominantly a reminder of classical music’s history of exclusion and elitism”? This reminds us of the time a Deadspin writer, urging a change in the name of golf’s most famous tournament, said to be honest: “When you hear anyone say the Masters, you think of slave masters in the South.”

You apparently have to listen to a podcast to learn why this particular symphony is a symbol of exclusion because it’s not in the article.

Advertisement

Apparently that’s been a theory for years now — cue Shaun King calling for any artwork of Beethoven as a white European to be taken down and destroyed.

Advertisement

Advertisement

And what’s up with the illustration Vox commissioned to accompany this piece? Beethoven is telling people not to wear shorts and bring a megaphone to his symphonies? That makes his Fifth Symphony exclusionary to the LGBT community?


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement