Western Lensman Found the ONLY Demographic That Opposes Voter ID Requirements
Predictable Horror: Trans Shooter Leaves 10 Dead in Canadian School Massacre
Minn. Media Has Another Banner 'Journalism' Day Spinning ICE's Arrest of a Meth...
Epic WIN: Trump’s Bold Moves Ignite Private Sector Hiring While Shutting Down the...
How Low Can They Go? Lefty 'Morgan Freeman' Equates Masked Man Stalking Elderly...
Stephen Miller Flashes Back to 'Stunning Visuals' From Biden's Border Invasion That Trump...
Scott Jennings (and MANY Others) Mock Axios for REFUSING to Give Trump Credit...
Axios Repeats the Democrat Lie That the SAVE Act Would Prevent 'Millions of...
Beshear: 'DeSantis Is the Worst!' Translation: Notice Me, I'm Riding Daddy's Coattails Whi...
Duh Moment at WaPo: Fired Employees Baffled by Turned-Off Computers and Door Badges
Born in America, Trained in America, Sold Out to Commie China: NBC Can't...
Joy Reid Says MSNBC Hosts Were Not Allowed to Lie Due to Journalistic...
Lame Claim: Governor Tim Walz Says Forget the Feds, Prosecuting Fraud in Minnesota...
Scott Jennings Says Kentucky Governor Andy Beshear Proved He’s No Moderate Democrat While...
Woman Says If You Are White, You Cannot Trust Your Own Thinking on...

Vox: Beethoven's Fifth Symphony 'is a symbol of exclusion and elitism' to women, LGBTQ+ people, and people of color

Sorry, classical music fans, but Ludwig van Beethoven’s been canceled. Well, maybe not Beethoven himself, although he was a white European male, but his Fifth Symphony in particular, which according to Vox “put the classism in classical music.”

Advertisement

OK, why? Nate Sloan and Charlie Harding start with the theory that the symphony is “a metaphor for Beethoven’s personal resilience in the face of his oncoming deafness” (a pretty common belief) and take it from there:

Or rather, that’s long been the popular read among wealthy white men who embraced Beethoven and turned his symphony into a symbol of their superiority and importance. For others — women, LGBTQ+ people, people of color — Beethoven’s symphony is predominantly a reminder of classical music’s history of exclusion and elitism. One New York City classical music fan wrote in the 1840s, for example, that he wished that “all women shall be gagged by officers duly licensed for the purpose before they’re allowed to enter a concert room.”

Today, some aspects of classical culture are still about policing who’s in and who’s out, and it all started with Beethoven’s Fifth. When you walk into a standard concert hall, there’s an established set of conventions and etiquette (“don’t cough!”; “don’t cheer!”; “dress appropriately!”) that’s more about demonstrating belonging than appreciating the music.

Advertisement

Seriously? For all but wealthy white men, Beethoven’s Fifth “is predominantly a reminder of classical music’s history of exclusion and elitism”? This reminds us of the time a Deadspin writer, urging a change in the name of golf’s most famous tournament, said to be honest: “When you hear anyone say the Masters, you think of slave masters in the South.”

You apparently have to listen to a podcast to learn why this particular symphony is a symbol of exclusion because it’s not in the article.

Advertisement

Apparently that’s been a theory for years now — cue Shaun King calling for any artwork of Beethoven as a white European to be taken down and destroyed.

Advertisement

Advertisement

And what’s up with the illustration Vox commissioned to accompany this piece? Beethoven is telling people not to wear shorts and bring a megaphone to his symphonies? That makes his Fifth Symphony exclusionary to the LGBT community?


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement