Scott Jennings Reminds Dems on CNN That James Talarico’s Bizarre Beliefs Clash With...
Iran Steals California's Playbook: Strait of Hormuz Tolls Renamed 'Environmental Fees'
Dem Joe Cunningham Says His Party Needs to Talk Less Like Professors and...
Oregon Petition to Ban Hunting and Fishing Reaches Threshold to Be Added to...
‘The Terrorists Are in Control’: Protesters Set Up Barricades Outside ICE Facility
Mark Zaid Honored to Represent Estate of Officer Brian Sicknick in Lawsuit Against...
'Accidental Nazi Tattoo': Zaid Jilani's Platner Defense Ignites Brutal (and Well Deserved)...
Jaguar: 'Watch Us Alienate Our Customers', Ferarri: 'Hold My Chianti'
Dan Bongino Torches Thomas Massie as a Fraudulent Piece of BLEEP
ANOTHER RINO Bites the Dust --> Ken Paxton Defeats John Cornyn Proving Once...
AOC's Former Chief of Staff Implies Creepy Scott Wiener Is 'Another John Fetterman'
80-Year-Old President Gets Standard Checkup — Chris Cillizza Acts Like It's a Crisis
From Ritzy Private School to Fake Oyster Farm — The Graham Platner Psyop
Judge Who Dismissed Human Trafficking Case Against Kilmar Abrego Garcia Ignored Evidence
LIVE RESULTS: Stay With Twitchy for the Latest Texas Primary 2026 Results

Problematic: 'Cobra Kai' is popular so now 'its whiteness is under a new spotlight'

As you probably know, the Netflix series “Cobra Kai” shows us where the kids from “The Karate Kid” are now, and it’s hugely popular — which means that someone had to find fault with it, and that fault is its problematic whiteness. This take was served up in the Los Angeles Times by writer Jen Yamato earlier this month.

Advertisement

Yamoto writes:

A number of critics have taken notice of the series’ whiteness as well: Salon culture senior editor Hanh Nguyen, who has been critical of the series in the past, told The Times that “the only main character of color who has any sort of interiority is Miguel.” “Danny LaRusso, Italian kid from Jersey,” as Vanity Fair’s Sonia Saraiya put it about the first two seasons, “is the most Japanese character on this show.”

As Times TV critic Lorraine Ali writes, “Cobra Kai” has successfully mined laughs and pathos from Johnny’s transformation through his proximity to an immigrant family. It’s also scrutinized how Kreese’s brand of karate perpetuates a cycle of militant toxic masculinity. But it has been slow to explore Daniel’s own blind spots beyond a moment of clueless “sushi-splaining” and his bewilderment that his karate-chopping commercials might be seen as cultural appropriation.

“The thing I’d like to see them do is to go beyond this suburban idyllic space, this white pocket dimension, more deeply,” said writer and podcaster Jeff Yang, who has covered the series for Quartz. “What if they actually did encounter people who embraced martial arts not just to overcome bullying, but because it’s part of a larger tradition that exists within people of color communities?”

Advertisement

Who else was bothered by the clueless “sushi-splaining”?

Advertisement

Advertisement

To be honest, you have to get quite a ways into the critique of the show to get to the problematic “whiteness” part — which makes it even more obnoxious that the Los Angeles Times decided to make that the headline.

Advertisement

Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement