‘Gun Violence’: Dem Jamie Raskin Gets a Fake Narrative Assist From Margaret Brennan...
'Friendly Assassin' Cole Allen's Manifesto Shows WHCD Shooter Is a Very Intelligent Idiot
WHCA President Who Was Sitting Next to Trump Puts Down ANOTHER Conspiracy Theory...
Trump Obliterates Norah O’Donnell: 'You’re Disgraceful' After She Tries Smearing Him With...
Obama Plays Dumb on Trump Assassination Attempt: 'Unknown Motive' Despite Shooter’s Anti-T...
Disposable Lives: The Media’s Selective Outrage Over Assassination Attempts on Trump
Truth Hurts, Malcolm: Democrats Slam Fetterman for Basic Common Sense on White House...
Princeton Prof Kevin Kruse & Popehat: Trump’s Being a Big Baby About All...
Some On The Left Are Already Trying to Luigi Mangione the Trump Assassin...
Sen. Rand Paul Gives an Encouraging Prognosis on the Debt
Jonathan Turley Shares the Truth: The Left Called It a False Flag —...
AOC: 'No Place for Political Violence' — After Calling Trump Hitler And Palling...
Apology Lasted Hours: Jvnior Promises to Stop Lying, Immediately Posts Bogus IDF Shirt...
Sean Davis Spots a Difference Between Football Games and a Hotel
Bill Kristol Is Concerned About How It Could Be Used

Problematic: 'Cobra Kai' is popular so now 'its whiteness is under a new spotlight'

As you probably know, the Netflix series “Cobra Kai” shows us where the kids from “The Karate Kid” are now, and it’s hugely popular — which means that someone had to find fault with it, and that fault is its problematic whiteness. This take was served up in the Los Angeles Times by writer Jen Yamato earlier this month.

Advertisement

Yamoto writes:

A number of critics have taken notice of the series’ whiteness as well: Salon culture senior editor Hanh Nguyen, who has been critical of the series in the past, told The Times that “the only main character of color who has any sort of interiority is Miguel.” “Danny LaRusso, Italian kid from Jersey,” as Vanity Fair’s Sonia Saraiya put it about the first two seasons, “is the most Japanese character on this show.”

As Times TV critic Lorraine Ali writes, “Cobra Kai” has successfully mined laughs and pathos from Johnny’s transformation through his proximity to an immigrant family. It’s also scrutinized how Kreese’s brand of karate perpetuates a cycle of militant toxic masculinity. But it has been slow to explore Daniel’s own blind spots beyond a moment of clueless “sushi-splaining” and his bewilderment that his karate-chopping commercials might be seen as cultural appropriation.

“The thing I’d like to see them do is to go beyond this suburban idyllic space, this white pocket dimension, more deeply,” said writer and podcaster Jeff Yang, who has covered the series for Quartz. “What if they actually did encounter people who embraced martial arts not just to overcome bullying, but because it’s part of a larger tradition that exists within people of color communities?”

Advertisement

Who else was bothered by the clueless “sushi-splaining”?

Advertisement

Advertisement

To be honest, you have to get quite a ways into the critique of the show to get to the problematic “whiteness” part — which makes it even more obnoxious that the Los Angeles Times decided to make that the headline.

Advertisement

Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement