Don Lemon Has ‘President Musk’ Narrative Thrown Back in His Face by Man...
‘Fake News’ Death Rattle: CNN Posts Lowest Year-Long Audience Averages in Its History
Folk Hero: Scott Jennings Catches Flack for Mocking the Left’s Love Affair with...
Where’s the Money? Kamala Campaign Fundraiser’s Shocking Defection from Dem Party Cult
Discomfort and Joy: Christmas Pay Cut Arrives for MSNBC’s Ridiculous ReidOut Host
Grounded Monkeys: Scott Adams Praises Biden for Destroying Dem Party and Clipping Legacy...
‘I Like My Suitcase!’: Viral Barron Trump Dance Club Track and Paris Hilton,...
Convicted Murderer Complains He Had a White Jury, and That's Not Law, It's...
President Trump Has Been President for Over a Month and Hasn't Done One...
Weaponization Committee Issues Report on the 'Censorship-Industrial Complex'
Report: Boy Rubs Himself With Lotion in Girls' Locker Room to 'Prevent Chafing'
GENDER BIAS: End Wokeness Points Out Misleading Graphic on Homelessness
Wajahat Ali Wants to ‘F Elon Musk and His Ghouls to the Lowest...
Despicable: Joe Biden Kept Families of Fallen Marines Waiting Hours While He Napped...
Sen. Sheldon Whitehouse Still Working on Racially Integrating His Beach Club

Princeton a cappella group to drop 'Kiss the Girl' in part because it's a heteronormative attack on women

We actually called this the other day when putting together that piece on the Cleveland radio station that had pulled seasonal rape culture anthem “Baby It’s Cold Outside” from rotation after a listener complaint — some people in the comments brought up Disney’s “Kiss the Girl” from “The Little Mermaid” as the next song to go under the chopping block. And …

Advertisement

Now Princeton’s male a cappella group is pulling “Kiss the Girl” from its set because it promotes toxic masculinity.

Here’s the column from the Daily Princetonian that prompted the group to drop the song:

Noa Wollstein wrote:

The song launches a heteronormative attack on women’s right to oppose the romantic and sexual liberties taken by men, further inundating the listener with themes of toxic masculinity. In trying to motivate Eric to kiss Ariel, the crab, Sebastian, makes use of lines such as, “Looks like the boy’s too shy,” “Don’t be scared,” and “It’s such a shame, too bad/You’re gonna miss the girl.”

Such expressions imply that not using aggressive physical action to secure Ariel’s sexual submission makes Eric weak — an irrefutable scaredy-cat. Applied outside of the realm of the movie, these statements suggest that masculinity is contingent on domination of women. This attitude can catalyze violent tendencies toward, and assault against, women.

Advertisement

So if the song inundates the listen with themes of toxic masculinity, which can catalyze assault against women, the Tigertones could be subconsciously programming audience members to assault women as they leave the performance.

To be honest, Wollstein’s real problem lies with the performance, in which the Tigertones bring up random audience members on stage and expect heteronormativity to take its course. “I have seen a queer student brought on stage have to uncomfortably push away her forced male companion,” she writes.

Advertisement

But she didn’t provide verbal consent … of course, she’d been cursed and couldn’t speak until she’d been kissed, so …

Advertisement


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement