Project Runway: Video That Imagines Marco Rubio Running Spirit Airlines Is Just Plane...
Post Millennial Reporter Mobbed by Antifa at ICE Detention Facility
Justice Kagan Writes in Dissent That the VRA ‘Was Born of the Literal...
Elizabeth Warren Ran With ANOTHER Opportunity to Get Ratioed (This Time With Her...
Jennifer Welch Tells Racist Fascist Erika Kirk TPUSA Is Making Youth Racist and...
Jake Tapper Tattles on Trump for Calling Hakeem Jeffries Low-IQ and a Thug
MS NOW's Ken Dilanian Defends SPLC, Doesn't Know What a Grand Jury Is...
Karen Bass Mocks a Fire Victim Running for Mayor — And It Perfectly...
Sunny Hostin Says Obama Lives Rent-Free in Trump’s Head Because He’ll Never Win...
First-Grade Teacher: May Day Protest Is Really Cool Way to Teach K-6 How...
Matt Van Swol Has Words for Organizers of ‘Kids Over Corporations’ Rally That...
Bill Maher Reminds 'No Kings' Democrats That They're a Total Joke
Let's Flash Back to a Time When EVERY Late Night Show Host (and...
Elizabeth Warren Assigns Blame for JetBlue/Spirit Merger Getting Blocked Under Biden While...
WATCH: Poodles and Bullet-Proof Vests? President Trump's Got Jokes

Princeton a cappella group to drop 'Kiss the Girl' in part because it's a heteronormative attack on women

We actually called this the other day when putting together that piece on the Cleveland radio station that had pulled seasonal rape culture anthem “Baby It’s Cold Outside” from rotation after a listener complaint — some people in the comments brought up Disney’s “Kiss the Girl” from “The Little Mermaid” as the next song to go under the chopping block. And …

Advertisement

Now Princeton’s male a cappella group is pulling “Kiss the Girl” from its set because it promotes toxic masculinity.

Here’s the column from the Daily Princetonian that prompted the group to drop the song:

Noa Wollstein wrote:

The song launches a heteronormative attack on women’s right to oppose the romantic and sexual liberties taken by men, further inundating the listener with themes of toxic masculinity. In trying to motivate Eric to kiss Ariel, the crab, Sebastian, makes use of lines such as, “Looks like the boy’s too shy,” “Don’t be scared,” and “It’s such a shame, too bad/You’re gonna miss the girl.”

Such expressions imply that not using aggressive physical action to secure Ariel’s sexual submission makes Eric weak — an irrefutable scaredy-cat. Applied outside of the realm of the movie, these statements suggest that masculinity is contingent on domination of women. This attitude can catalyze violent tendencies toward, and assault against, women.

Advertisement

So if the song inundates the listen with themes of toxic masculinity, which can catalyze assault against women, the Tigertones could be subconsciously programming audience members to assault women as they leave the performance.

To be honest, Wollstein’s real problem lies with the performance, in which the Tigertones bring up random audience members on stage and expect heteronormativity to take its course. “I have seen a queer student brought on stage have to uncomfortably push away her forced male companion,” she writes.

Advertisement

But she didn’t provide verbal consent … of course, she’d been cursed and couldn’t speak until she’d been kissed, so …

Advertisement


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement

TRENDING ON TOWNHALL MEDIA