White House Isn't Finished Trying to Milk Every Ounce of Cringe Out of...
WOMP WOMP! Hims Stock Tanks After CEO Praises 'Moral Courage' of Antisemitic Campus...
'Public Assembly': Watch Police Harass Billboard Chris, Anna McGovern for Wearing a Sign...
AP Review of Star Wars Actor's Meeting With Biden Doesn't Match the Readout...
MOSTLY PEACEFUL UPenn Protesters Harass Students With Strobe Lights, Threats
America LAST: Biden Opens Obamacare to DACA Recipients While 25 MILLION Americans Go...
To Get YOUR White House Invite, A) Be From a Famous Movie, and...
Taylor Lorenz's UNHINGED Comments About LGBTQ Rights in Florida, Texas Make Don Lemon...
Actor Jeff Daniels Hopes Flyover State Voters Realize Trump 'Talks Down to Us'...
OOF: Chrystia Freeland Gets Buried Under a Ratio for 'World Press Freedom Day'...
Google Removes Trump PAC Ad Targeting Black Men and it is Very Suspicious
The NH Libertarian Party Goes on a Weird Twitter Spiral about Feeding Orphans
Joe Biden and Karine Jean Pierre Drag the 'Star Wars' Guy to a...
Mike Johnson vs MTG, Frat Bro Revolution, Time Magazine Meltdown!
KJP Assigns Blame for What Will Happen to the Middle Class If Biden...

New York Times: Author ponders what writers will do when the outrage over President Trump is over

It’s something we’ve wondered ourselves: What are all the people whose whole lives have revolved around hating President Trump going to do once he’s out of the Oval Office? We already know that at least one of the Never-Trumpers heading the Lincoln Project has been sniffing around AOC’s Twitter feed to see if she wants to team up.

Advertisement

The New York Times has published a piece by novelist Viet Nguyen about post-Trump literature: What will writers do now that their daily dose of outrage has passed?

Nguyen writes:

… Mr. Trump destroyed the ability of white writers to dwell in the apolitical. Everyone had to make a choice, especially in the face of a pandemic and the killing of George Floyd, both of which brought the life-or-death costs of systemic racism and economic inequality into painful focus.

But in 2021, will writers, especially white writers, take a deep breath of relief and retreat back to the politics of the apolitical, which is to say a retreat back to white privilege?

Explicit politics in American poetry and fiction has mostly been left to the marginalized: writers of color, queer and trans writers, feminist writers, anticolonial writers.

“Colonizers write about flowers,” Ms. [Noor] Hindi writes. “I want to be like those poets who care about the moon. Palestinians don’t see the moon from jail cells and prisons.”

This is my kind of poem.

“I know I’m American because when I walk into a room something dies,” Ms. Hindi writes. “When I die, I promise to haunt you forever.”

Jesse Jingal wants to know how this sentence got past the New York Times’ layers and layers of fact-checkers:

Advertisement

In case that’s too small to read:

The United States, as a settler colonial society that disavows its settler colonial origins and present, sees a like-minded ally in Israel. The only Americans — many of Palestinian descent — getting canceled by being fired, denied tenure or threatened with lawsuits are the ones who denounce Israeli settler colonialism and speak out for the Palestinian people.

Really? The only Americans getting canceled are those who speak out for the Palestinian people? How did this get published?

Advertisement

Advertisement

Advertisement


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement