Another Day Another Nut Job Democrat: Pittsburgh Man Arrested for Threatening to Kill...
Small Business Week Needs Help
Speculation Abounds About Carlson Not Going on Shapiro
Erick Erickson Warns Republicans About 2020
Poll Looks Into American Mindset About War
YIKES: Mallory McMorrow Doubles Down on Smug, NASTY Comments About Rural Americans and...
Justine Bateman Describes Gavin Newsom's BIZARRE Hand Gestures and Unnerving Behavior in 3...
CNN's Kasie Hunt Tries Tripping Scott Jennings Up With Anti-America Poll and HOOBOY...
Abigail Spanberger Can Take Her Unity Post and Stick It Where the Sun...
WHY Would He Do THAT?! Ruben Gallego Tries QUIETLY Deleting Certain Threads With...
Lefties PANIC As DataRepublican EXPOSES Miles Taylor's Unsecured GTFO ICE Site in THREAD...
LOL! Just Cement Him As the GOAT: John Kennedy DROPS Iran Regime the...
Project Runway: Video That Imagines Marco Rubio Running Spirit Airlines Is Just Plane...
Post Millennial Reporter Mobbed by Antifa at ICE Detention Facility
Justice Kagan Writes in Dissent That the VRA ‘Was Born of the Literal...

Problematic: 'Cobra Kai' is popular so now 'its whiteness is under a new spotlight'

As you probably know, the Netflix series “Cobra Kai” shows us where the kids from “The Karate Kid” are now, and it’s hugely popular — which means that someone had to find fault with it, and that fault is its problematic whiteness. This take was served up in the Los Angeles Times by writer Jen Yamato earlier this month.

Advertisement

Yamoto writes:

A number of critics have taken notice of the series’ whiteness as well: Salon culture senior editor Hanh Nguyen, who has been critical of the series in the past, told The Times that “the only main character of color who has any sort of interiority is Miguel.” “Danny LaRusso, Italian kid from Jersey,” as Vanity Fair’s Sonia Saraiya put it about the first two seasons, “is the most Japanese character on this show.”

As Times TV critic Lorraine Ali writes, “Cobra Kai” has successfully mined laughs and pathos from Johnny’s transformation through his proximity to an immigrant family. It’s also scrutinized how Kreese’s brand of karate perpetuates a cycle of militant toxic masculinity. But it has been slow to explore Daniel’s own blind spots beyond a moment of clueless “sushi-splaining” and his bewilderment that his karate-chopping commercials might be seen as cultural appropriation.

“The thing I’d like to see them do is to go beyond this suburban idyllic space, this white pocket dimension, more deeply,” said writer and podcaster Jeff Yang, who has covered the series for Quartz. “What if they actually did encounter people who embraced martial arts not just to overcome bullying, but because it’s part of a larger tradition that exists within people of color communities?”

Advertisement

Who else was bothered by the clueless “sushi-splaining”?

Advertisement

Advertisement

To be honest, you have to get quite a ways into the critique of the show to get to the problematic “whiteness” part — which makes it even more obnoxious that the Los Angeles Times decided to make that the headline.

Advertisement

Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement