Project Runway: Video That Imagines Marco Rubio Running Spirit Airlines Is Just Plane...
Post Millennial Reporter Mobbed by Antifa at ICE Detention Facility
Justice Kagan Writes in Dissent That the VRA ‘Was Born of the Literal...
Elizabeth Warren Ran With ANOTHER Opportunity to Get Ratioed (This Time With Her...
Jennifer Welch Tells Racist Fascist Erika Kirk TPUSA Is Making Youth Racist and...
Jake Tapper Tattles on Trump for Calling Hakeem Jeffries Low-IQ and a Thug
MS NOW's Ken Dilanian Defends SPLC, Doesn't Know What a Grand Jury Is...
Karen Bass Mocks a Fire Victim Running for Mayor — And It Perfectly...
Sunny Hostin Says Obama Lives Rent-Free in Trump’s Head Because He’ll Never Win...
First-Grade Teacher: May Day Protest Is Really Cool Way to Teach K-6 How...
Matt Van Swol Has Words for Organizers of ‘Kids Over Corporations’ Rally That...
Bill Maher Reminds 'No Kings' Democrats That They're a Total Joke
Let's Flash Back to a Time When EVERY Late Night Show Host (and...
Elizabeth Warren Assigns Blame for JetBlue/Spirit Merger Getting Blocked Under Biden While...
WATCH: Poodles and Bullet-Proof Vests? President Trump's Got Jokes

'BOOM'! Sean Parnell SHUTS DOWN 'keyboard commandos' trashing military masculinity

Over the weekend, The Intercept published a piece decrying war movies that celebrate “problematic” notions about masculinity, like that men who put themselves into harm’s way should be respected and admired:

Advertisement

Peter Maass writes:

Hollywood has shown itself capable of making excellent war movies (think “Three Kings,” “Paths of Glory,” and “The Best Years of Our Lives”), but most are problematic. Some of the biggest war movies of the post-9/11 era don’t just show violence in ways that are often gratuitous and occasionally racist. They model a cliched form of masculinity that veers from simplistic to monstrous.

For instance, you can see Rambo and John Wayne return to life in the latest war blockbuster, “12 Strong,” which was produced by Jerry Bruckheimer, who also brought us “Black Hawk Down.” “12 Strong” is an extravaganza about a Special Forces team that fought the Taliban in Afghanistan in the weeks and months after 9/11. During the movie’s pivotal scene, the leader of the Green Berets, played by Chris Hemsworth (the grievously handsome star of the Thor franchise), decimates a hive of Taliban fighters with his rifle ablaze as he gallops ahead on his fearless horse (yes, he’s riding a horse). In the same way that Hemsworth’s assault weapon goes rat-tat-tat and the bad guys fall like bulleted dominoes, the scene itself checks off one born-in-Hollywood cliché after another: of the rugged gunslinger, the warrior in camo, good versus evil, the modern vanquishing the profane, a man at his fullest.

Sean Parnell, a former U.S. Army Ranger, fought alongside the kinds of men whose masculinity Maass finds so “simplistic” and “monstrous,” and he didn’t hesitate to put in his own two cents:

Advertisement

Well said, sir!

And there was plenty more where that came from:

https://twitter.com/oldandydufresne/status/957704985457954820

https://twitter.com/oldandydufresne/status/957712431257669634

We definitely like it.

https://twitter.com/NEEDY____/status/957773445424668673

https://twitter.com/joeybottt/status/957818573522694144

Advertisement

https://twitter.com/StarvingWriter_/status/958019101602885632

https://twitter.com/totalSJW/status/958046978180550657

Advertisement

A lot of hatred from a lot of people who refuse to be grateful for the freedoms afforded to them by brave, masculine men.

Fortunately, despite all of the ignorance Parnell’s been forced to contend with, he still gets plenty of respect:

Advertisement

Exactly.

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement