'Best Thing Going': Former NY Governor Andrew Cuomo Says Socialist Movement in Dem...
Jennifer Welch Gets a Glow-Up to Debate Trump's Dementia With Scott Jennings
Reading Writing and Revolution: Teachers Union Speeches Give Us The Three Rs
Don Lemon: MAGA Is the Modern-Day Nazi Party ‘Without the Holocaust and All...
Dead Teen Discovered Inside $1M Home of Ayanna Pressley's Ex-Con Husband — Media...
Irony Detectors EXPLODE After Reports About the Only Civilian Injured by Anti-ICE Bomber...
Renter Says She’s the Reason Her Landlord Doesn’t Have to Get a Real...
Rubio Lifts the Veil: Havana Weaponized American Radicals Against Their Own Country for...
Trillion Dollar Clown Show: 20 percent of College Students Can Barely Read After...
Mehdi Hasan Upset CNN Reported Khamenei Killed Thousands, Then Whitewashed Netanyahu’s Bod...
James Talarico Says No One Should Have to Crowdfund Cancer Care Because Healthcare...
DSA Loser Brigade Meltdown: 'Noooo, Iran Can't Bankroll Hamas, Hezbollah & the Houthis...
Margaret Brennan Suggests to Tom Homan That Unmarked Cars Are Why Illegal Aliens...
The Kamala Comeback Nobody Wants to Admit Is Coming (But the GOP Is...
Socialist Melat Kiros Explains Why It’s Important to Elect More Immigrants From the...

'BOOM'! Sean Parnell SHUTS DOWN 'keyboard commandos' trashing military masculinity

Over the weekend, The Intercept published a piece decrying war movies that celebrate “problematic” notions about masculinity, like that men who put themselves into harm’s way should be respected and admired:

Advertisement

Peter Maass writes:

Hollywood has shown itself capable of making excellent war movies (think “Three Kings,” “Paths of Glory,” and “The Best Years of Our Lives”), but most are problematic. Some of the biggest war movies of the post-9/11 era don’t just show violence in ways that are often gratuitous and occasionally racist. They model a cliched form of masculinity that veers from simplistic to monstrous.

For instance, you can see Rambo and John Wayne return to life in the latest war blockbuster, “12 Strong,” which was produced by Jerry Bruckheimer, who also brought us “Black Hawk Down.” “12 Strong” is an extravaganza about a Special Forces team that fought the Taliban in Afghanistan in the weeks and months after 9/11. During the movie’s pivotal scene, the leader of the Green Berets, played by Chris Hemsworth (the grievously handsome star of the Thor franchise), decimates a hive of Taliban fighters with his rifle ablaze as he gallops ahead on his fearless horse (yes, he’s riding a horse). In the same way that Hemsworth’s assault weapon goes rat-tat-tat and the bad guys fall like bulleted dominoes, the scene itself checks off one born-in-Hollywood cliché after another: of the rugged gunslinger, the warrior in camo, good versus evil, the modern vanquishing the profane, a man at his fullest.

Sean Parnell, a former U.S. Army Ranger, fought alongside the kinds of men whose masculinity Maass finds so “simplistic” and “monstrous,” and he didn’t hesitate to put in his own two cents:

Advertisement

Well said, sir!

And there was plenty more where that came from:

https://twitter.com/oldandydufresne/status/957704985457954820

https://twitter.com/oldandydufresne/status/957712431257669634

We definitely like it.

https://twitter.com/NEEDY____/status/957773445424668673

https://twitter.com/joeybottt/status/957818573522694144

Advertisement

https://twitter.com/StarvingWriter_/status/958019101602885632

https://twitter.com/totalSJW/status/958046978180550657

Advertisement

A lot of hatred from a lot of people who refuse to be grateful for the freedoms afforded to them by brave, masculine men.

Fortunately, despite all of the ignorance Parnell’s been forced to contend with, he still gets plenty of respect:

Advertisement

Exactly.

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement