Sociopath Celebrates Stabbing Death of New Mom Who Took a Job at an...
We Used to Be a Village. Now We Call the Cops on a...
Jemele Hill Doubles Down on Her Claim That Capitalism Is Tied to White...
Bernie Sanders Introduces Legislation to Pause AI Development in US Immediately
Hakeem Jeffries Says Pete Hegseth Will Be Held Accountable for Lawless Strikes on...
Cato Stooge Tells Congress It Created Illegal Immigration by Making Legal Immigration 'Imp...
CNN's Burnett Talks to NJ Governor About Trump's Baseless Claims on Noncitizens Registered...
James Woods Has a Few Choice Words for George Clooney About Mark Ruffalo...
JD Vance Drops a Truth Bomb About What's REALLY at Stake (Dems Will...
Thomas Massie Blocked Me From His OFFICIAL Account and All I Got Was...
Milo Calls HIMSELF a Persecuted Human Rights Icon After Being Deported and Jokes...
Take the L! Cenk Uygur Posts DUMB JOKE to Save Face After His...
MS NOW Asks Kamala Harris Why Dems in Red States Want Her to...
People Are LOVING How Dana Loesch Dismantled and DOG-WALKED Abdul El-Sayed With One...
Dem Rep on C-SPAN Issues a Deportation Challenge That Tom Homan Will Gladly...

'BOOM'! Sean Parnell SHUTS DOWN 'keyboard commandos' trashing military masculinity

Over the weekend, The Intercept published a piece decrying war movies that celebrate “problematic” notions about masculinity, like that men who put themselves into harm’s way should be respected and admired:

Advertisement

Peter Maass writes:

Hollywood has shown itself capable of making excellent war movies (think “Three Kings,” “Paths of Glory,” and “The Best Years of Our Lives”), but most are problematic. Some of the biggest war movies of the post-9/11 era don’t just show violence in ways that are often gratuitous and occasionally racist. They model a cliched form of masculinity that veers from simplistic to monstrous.

For instance, you can see Rambo and John Wayne return to life in the latest war blockbuster, “12 Strong,” which was produced by Jerry Bruckheimer, who also brought us “Black Hawk Down.” “12 Strong” is an extravaganza about a Special Forces team that fought the Taliban in Afghanistan in the weeks and months after 9/11. During the movie’s pivotal scene, the leader of the Green Berets, played by Chris Hemsworth (the grievously handsome star of the Thor franchise), decimates a hive of Taliban fighters with his rifle ablaze as he gallops ahead on his fearless horse (yes, he’s riding a horse). In the same way that Hemsworth’s assault weapon goes rat-tat-tat and the bad guys fall like bulleted dominoes, the scene itself checks off one born-in-Hollywood cliché after another: of the rugged gunslinger, the warrior in camo, good versus evil, the modern vanquishing the profane, a man at his fullest.

Sean Parnell, a former U.S. Army Ranger, fought alongside the kinds of men whose masculinity Maass finds so “simplistic” and “monstrous,” and he didn’t hesitate to put in his own two cents:

Advertisement

Well said, sir!

And there was plenty more where that came from:

https://twitter.com/oldandydufresne/status/957704985457954820

https://twitter.com/oldandydufresne/status/957712431257669634

We definitely like it.

https://twitter.com/NEEDY____/status/957773445424668673

https://twitter.com/joeybottt/status/957818573522694144

Advertisement

https://twitter.com/StarvingWriter_/status/958019101602885632

https://twitter.com/totalSJW/status/958046978180550657

Advertisement

A lot of hatred from a lot of people who refuse to be grateful for the freedoms afforded to them by brave, masculine men.

Fortunately, despite all of the ignorance Parnell’s been forced to contend with, he still gets plenty of respect:

Advertisement

Exactly.

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement