Adam Schiff Begs Pam Bondi to Stop Trump Making Fun of His ‘Watermelon...
CNN Poll: Biden Leaves Office With His Approval Rating at Its Lowest
Phase One of Hostage Release to Include TWO of THREE Cherished American Captives...
Try Locking Up the CRIMINALS Instead! Walgreens CEO Says Shoplifting Prevention Led to...
KJP Dismisses State Dept. Spox As 'Random Person' to Avoid Crediting Trump for...
California Dreamin': How the Left Destroyed Life in the Golden State
Karine Jean-Pierre Ends Tenure as Mouthpiece for the King of Lies
CRY HARDER, Chucky! Schumer Warns Trump's Energy Secretary Is a Fossil Fuel Executive...
A Desperate Plea from a Fellow Mom of Redheads: Join Me in Praying...
Hits Us DIRECTLY in the Feels: Twitter User Shares Heartwarming Story About L.A....
Pam Bondi Tells Sen. Alex Padilla She Will Not Be Bullied by Him
Is the Pope Catholic? No, We're Really Asking: Check Out What Pope Francis...
'Is That a Joke?' Biden Asked If He or Trump Should Get Credit...
'Pure Savage!' GOP Rep Uses His Phone to Test Witness' Claim SSA Telework...
Ivy Beleaguered: J.D. Vance HUMILIATES Yale Professor Who Claims Pete Hegseth Will Destroy...

The Economist looks at the challenge of troubling art of the past, citing 1983's 'Trading Places'

Why is The Economist publishing a critique of an Eddie Murphy/Dan Ackroyd movie from 1983? Because although some people consider it a Christmas movie, it’s actually a New Year’s Eve movie. And a New Year’s Eve scene from the movie makes us tackle the challenge of troubling and offensive art of the past.

Advertisement

The author’s name is hidden behind a paywall (perhaps on purpose?) so we’ll just have to credit it to The Economist, which reports:

… there are lots of cringe-inducing moments: racial stereotyping, explicit and vicious racism that is presented as reprehensible but played for laughs, casual homophobia, a caricature Irishman and gratuitous nudity.

Most important are the two moments when, startlingly, Mr Murphy breaks the fourth wall, looking directly at the camera and through it at the audience.

In these frames Mr Murphy’s expression is defiant, infinitely unsurprised, accusatory, coldly furious: a wordless, powerful indictment of racism—including the viewer’s. These fleeting, jolting seconds seem to belong to another movie entirely.

From this editor’s memory, the gratuitous nudity was not cringe-inducing.

Advertisement

Advertisement

No kidding. Mr. Robinson’s Neighborhood? Classic.


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement