Ron DeSantis Is Not a Boomer: FL Gov Drops Common Sense on Worthless...
Harmeet Dhillon and Others Weigh in As Dems Hyperventilate About Trump's SCOTUS Visit
Trump Stares Down Liberal Justices As Ketanji Brown Jackson Cracks Under Pressure
The Christian School Movement of the 1970s
Whitney Cummings Admits She's Diagnosed Crazy, Then Proves It by Claiming Trump Runs...
'So Effing Effed': Nevada Dem Rep. Susie Lee Drops Vulgar Meltdown Over Trump...
WaPo Joins Lib Media Hacks Circling the Wagons in Attempt to Make Eric...
Congrats, Justice Jackson! Even Sotomayor and Kagan Think You’re the Dumbest One Now
Judicial Activism Run Amok: Obama Judge Orders Trump to Make Illegals Legal Again...
Dems Say Trump's Shattering Political Norms and Trying to Intimidate SCOTUS Justices
The 1962 Supreme Court Decision That Banned School Prayer
Sen. Amy Klobuchar Tries to Take a Jab at Trump Over Gas Prices...
'Stupid, Narcissistic Idiot': Victor Davis Hanson Recalls His Own Fang Fang Story to...
Eric Swalwell Runs to MS NOW and Claims the FBI Dropping Fang Fang...
Eric Swalwell in 2023: Don’t Take His Word He Did Nothing Wrong With...

The Economist looks at the challenge of troubling art of the past, citing 1983's 'Trading Places'

Why is The Economist publishing a critique of an Eddie Murphy/Dan Ackroyd movie from 1983? Because although some people consider it a Christmas movie, it’s actually a New Year’s Eve movie. And a New Year’s Eve scene from the movie makes us tackle the challenge of troubling and offensive art of the past.

Advertisement

The author’s name is hidden behind a paywall (perhaps on purpose?) so we’ll just have to credit it to The Economist, which reports:

… there are lots of cringe-inducing moments: racial stereotyping, explicit and vicious racism that is presented as reprehensible but played for laughs, casual homophobia, a caricature Irishman and gratuitous nudity.

Most important are the two moments when, startlingly, Mr Murphy breaks the fourth wall, looking directly at the camera and through it at the audience.

In these frames Mr Murphy’s expression is defiant, infinitely unsurprised, accusatory, coldly furious: a wordless, powerful indictment of racism—including the viewer’s. These fleeting, jolting seconds seem to belong to another movie entirely.

From this editor’s memory, the gratuitous nudity was not cringe-inducing.

Advertisement

Advertisement

No kidding. Mr. Robinson’s Neighborhood? Classic.


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement