Buffet of Fresh News Breaking in Minnesota, Legacy Media is Reheating Leftovers From...
This Is the Way! Erika Kirk Rises Above the Hate, Trolls Joy Reid...
'PANIC MODE'! Tim Walz Says Trump's Weaponizing Federal Gov't Against MN Just Because...
Three Is a Tragic Number: WSJ Hits Bottom With ‘Throuple Trouble’ Interior Design...
Star Tribune's Previous Attempt to Debunk Trump's Claim About Scope of MN Fraud...
Vance Dance: MAGA Embraces White House ‘Soul Train’ AI Parody Video Being Shared...
Dems Rage After Woke Trans Surgeries Targeted by Trump Administration
JK Rowling TROUNCES Labour Party for Claiming to Protect Women... While Removing Their...
Rick Wilson's Violent, Pathetic, Horrible, Psycho RANT About Trump Will Make Your Skin...
Network Newscasts Did Their 'Journalism' Thing After a Lefty DA Released an Illegal...
QUIET Piggy! Julianna Olivia Claims GOP Uses AI to Hide Trump's Decline, Trips...
Shocker! Looks Like Tim Walz and 'White Dudes for Harris' Actually Made the...
Epstein Survivors HAMMER House Democrats Who Appear to be More Concerned With Getting...
'She's the WORST': Jessica Tarlov Tries Crediting Biden for Lowest Inflation Seen in...
Brown University President In SERIOUS CYA-Mode, Refuses to Admit Lack of Cameras Was...

The Atlantic explores what will it take to separate fatherhood from anger and violence

This is the section in which The Atlantic talks about books, like “Raising Raffi,” journalist Keith Gessen’s memoir of his first years parenting his son, in which discipline becomes a “quicksand of confusing implications.” But rather than kick off with a book, Andrew Aoyama introduces the topic of what it will take to separate fatherhood from anger and violence by referring to the “Taken” movies:

Advertisement

A stomach-twisting thrill animates the Taken movies. As bullets fly across each progressively more ridiculous sequel, Liam Neeson kicks down the door to the pantheon of cultural Super Dads and asserts himself as its king. Here is a paragon of fatherhood, the films suggest; here is a dad endowed with “a very particular set” of parenting skills, a man who may struggle to connect with his daughter emotionally but can unleash a hail of violence each time she encounters a band of licentious kidnappers.

If today it’s hard to watch Taken without at least some disgust at the glorification of Neeson’s bloodshed, perhaps it’s because the traditional conception of fatherhood his character embodies has begun to fall out of step with shifting understandings of masculinity.

Unless we’re mistaken, the last “Taken” move came out in 2014, so we’re not so sure why they’re hard to watch today, in 2022. We must have really been wussified over the past eight years.

Advertisement

https://twitter.com/DismasTheGood/status/1555937982200385536

https://twitter.com/cyrus_howell/status/1555682660336504834

Advertisement

https://twitter.com/FreeGumbyDammit/status/1555939185696985088

https://twitter.com/Dino11975/status/1555690514531471361

What an embarrassing introduction to an unnecessary conversation.


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos