Dem Sen. Chris Van Hollen Assures Michigan Voters That El-Sayed Will Protect Criminal...
Hakeem Jeffries Reaches Stage Two of Democrat Denial Regarding New Jersey Election Fraud
'You're Late to the MAGA Party!' Dems AGAIN Try to Rip Off (and...
Maximum Overdrive: NBC News Once Again Reports About the Violent Rage of Self-Driving...
People Mag Slams Trump's Transphobic Joke About Kaitlan Collins (and Everyone Has the...
Journo Tells Rupert Lowe a Lot of People Could Interpret 'Anglo-Saxon' as White...
Convicted Murderer Karmelo Anthony Seeks a New Trial, Claims Judge Was Biased
Judges Enter Orders Preventing DHS From Terminating TPS for Ethiopia, South Sudan
Landlords Ban Work-from-Home Tenants: Because Using the Place You Rent Is Apparently Too...
NYT's Maggie Haberman Reports Trump Has Massively Escalated Against the Smithsonian
NY Talk Show Host Sid Rosenberg Drops the Mic in Describing Zohran Mamdani...
Madison Police Completely Surrender Press Conference to Black Activist Ranting About Colon...
Canadian Journalist Annie Dufour Big Mad After Watching Trump Roast the Press at...
Mehdi Hasan Wants to Know Why Dan Goldman Only Mentioned Jewish Man Stabbed...
Sister of Man Shot by Cop Says His Long Criminal History Tells a...

Grist says that 'Ford v Ferrari' is a 'climate change horror film' brimming with white masculinity

We’d thought liberals had already wrung all the controversy out of “Ford v Ferrari” by noting that straight, white men “dominate the screen” for 98 percent of its running time. But Grist, based out of Seattle, instead argues that the movie is a “climate change horror film.”

Advertisement

L.V. Anderson writes:

The scene is, in itself, a neat metaphor for our society’s addiction to fossil fuels: Even in the face of disaster, [racecar driver Carroll] Shelby is too addicted to speed and glory to fathom not refueling his vehicle. He has a compulsion to continue doing literally the exact same thing over and over and over again, even if it threatens to kill him and those around him. The ensuing two and a half hours of Ford v Ferrari are slick with the same uncanny symbolism: Though director James Mangold never once even winks at the negative environmental effects of combusting all that gasoline, he has unwittingly managed to create a striking cinematic allegory for the climate crisis.

Oh, and in case you needed a reminder, Anderson notes that the film reeks of white masculinity, and “there is not a single character of color in the film, and only one female character with a name.”

Advertisement

Advertisement

Advertisement

The MPAA needs to come up with some new ratings to warn people of White Masculinity and depictions of fossil fuel consumption.


Related:

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement