Don Lemon Has ‘President Musk’ Narrative Thrown Back in His Face by Man...
‘Fake News’ Death Rattle: CNN Posts Lowest Year-Long Audience Averages in Its History
Folk Hero: Scott Jennings Catches Flack for Mocking the Left’s Love Affair with...
Where’s the Money? Kamala Campaign Fundraiser’s Shocking Defection from Dem Party Cult
Discomfort and Joy: Christmas Pay Cut Arrives for MSNBC’s Ridiculous ReidOut Host
Grounded Monkeys: Scott Adams Praises Biden for Destroying Dem Party and Clipping Legacy...
‘I Like My Suitcase!’: Viral Barron Trump Dance Club Track and Paris Hilton,...
Convicted Murderer Complains He Had a White Jury, and That's Not Law, It's...
President Trump Has Been President for Over a Month and Hasn't Done One...
Weaponization Committee Issues Report on the 'Censorship-Industrial Complex'
Report: Boy Rubs Himself With Lotion in Girls' Locker Room to 'Prevent Chafing'
GENDER BIAS: End Wokeness Points Out Misleading Graphic on Homelessness
Wajahat Ali Wants to ‘F Elon Musk and His Ghouls to the Lowest...
Despicable: Joe Biden Kept Families of Fallen Marines Waiting Hours While He Napped...
Sen. Sheldon Whitehouse Still Working on Racially Integrating His Beach Club

Mario stomps his way into the National Recording Registry

Time to talk about something fun and frivolous. The Super Mario Bros. movie is out …

Advertisement

… oh, no … not that one …

Yeah, that’s the one. Well, it turns out that on top of dominating the box office …

The franchise got a smaller accolade. The theme song from the original Super Mario Bros. game was admitted into the Library of Congress’s National Recording Registry:

Some just celebrated:

Advertisement

His wife is what we call a keeper.

A few people felt this was overdue:

We are outraged! We resemble those remarks!

But if you look at some of the other songs being admitted this year …

… that’s actually about as timely as one could hope for. For instance, both Led Zeppelin’s Stairway to Heaven and John Lennon’s Imagine were released in 1971.

A few people decided to take this as a chance to make fun of Nintendo’s reputation for (ahem) aggressively protecting their intellectual property against video game streamers:

Advertisement

Others reasonably wondered why this is in the National Recording Registration in America, when Super Mario Bros. is really a Japanese import. For instance, we get this comment from a man who might, or might not, be related to the Prime Minister of Canada:

Jokes aside, he has a valid point. According to the Library of Congress website: ‘Each year, the National Recording Registry at the Library of Congress chooses 25 recordings showcasing the range and diversity of American recorded sound heritage in order to increase preservation awareness.’ Still, it has been a big enough deal in American culture for around forty years that we might give the Library of Congress a mulligan.

Naturally, a cynical person might suspect that the timing is intentional, too. After all, how often does the Library of Congress get in the news?

In any case, if the Library of Congress is going to preserve something popular and maybe even current, we submit Jack Black’s song Peaches for consideration:

Advertisement

That’s a joke, but it is a fun song and the music video is appropriately ridiculous. The whole thing has gone viral, apparently soaring on the music download and streaming charts. Black is no stranger to music, being in the band ‘Tenacious D,’ and he’s no stranger to video games. One of his first acting jobs was an ad for Activision’s Pitfall!, all way back on the Atari 2600 and when he was only fourteen years old:

We don’t think he was pretending very much to be that enthusiastic over the game—we think it was at least 80% genuine. As you might’ve surmised, in the movie he plays Bowser…

… er, not that Bowser. This guy:

And he’s also easily the best thing in the new Mario movie—although there is no weak link in the cast. We have seen the movie and it’s a good time. Some of it will be hard to understand if you’ve never played one of their games but … who hasn’t played one of their games? For instance, we don’t think it counts as a spoiler to say that Mario and Luigi defeats Bowser in the end. However, the exact way they defeat Bowser, mechanically, is obvious to anyone who has played any of the games, but it’s barely set up in the movie. So, if you are confused, maybe take the advice of Basil Exposition:

Initially, we agreed with critics who said that there was nothing deeper than surface-level entertainment (although there is plenty of that), but we were unkind in that initial assessment. As silly as that Jack Black music video is, it hints at the deeper element going on. Here, Bowser is portrayed as kind of a stalker. Yes, he’s pathetic on some level, and it is very much also played for laughs, but he’s also recognizably scary and toxic, too. It’s a smart take that is fully in line with the games.

Advertisement

Of course, in the games, things get really weird between Princess Peach and Bowser, particularly in Super Mario Sunshine, when Mario and Peach confront Bower Jr. and ask him why he has been so much trouble. You have to watch the video to believe it:

Now, it is fair to point out that later in the same game, Bowser Jr. learns Peach is not his mother …

… but what was with Peach’s reaction when Bowser Jr. told her that she was his mother? She didn’t say, ‘What are you talking about?’ or just, ‘No way, kid.’ She said, ‘I’m your mother?’ as though thought it was somehow possible that she was the mother of this weird turtle-dinosaur thing, but she wasn’t sure. Is that the kind of thing most women would be unsure about? We don’t think so.

Something tells us that won’t be in the sequels.

Also, André over at Midnight’s Edge argues very persuasively that this movie is perfectly aimed at kids, and in the process, it became sort of political by not being political. Midnight’s Edge reports on rumors that originally Illumination was going to make Mario a supporting character in his own movie. According to that rumor, Peach was going to be a ‘Girl Boss’ cliché, who subverted expectations by repeatedly rescuing an incompetent Mario, while Luigi would be completely sidelined. But Nintendo had more creative control than usual, and they vetoed that plan. Nintendo reasoned that Mario is the main character of the brand, and he needed to be seen as the hero. And the result was a movie about a guy who lives with his parents (like many kids), looks after his little brother (like many kids), and wants to make his parents proud (like many kids), thus a movie that kids would uniquely relate to:

Advertisement

We are not sure if we agree with everything in the video, but much of it is very credible and persuasive, as is their argument in this video that the success of the movie is a warning to woke Hollywood:

Indeed, at least one person is desperately trying to find woke content in it:

Would a transgender person even want that representation? He’s a bad guy.

Hard Drive, a satire site that focuses on gaming, even created a parody of Every Easter Egg in ‘The Super Mario Bros. Movie’ article …

… which satirized the tendency to find wokeness where it isn’t, as seen in this screenshot from the article:

And the commenters had fun, too, including what we assume is a person impersonating Shigeru Miyamoto (the creator of the Mario, Donkey Kong and Zelda series, among others) responding to a strange request:

Advertisement

Meanwhile ‘Mr. Wolfyface’ captured other funny comments:

The final comment he captured is the funniest: ‘That movie was awesome. I got shot by a home invader once I got back from watching it, just got out of the hospital a few days ago. Police still looking for him. Loved the soundtrack.’

Sometimes, we really love the Internet.

Join the conversation as a VIP Member

Recommended

Trending on Twitchy Videos

Advertisement
Advertisement
Advertisement