'Turning on their own' now? A 'lapse in narrative fidelity' has been spotted in Beyoncé's Lion King soundtrack

Beyoncé’s “The Lion King” soundtrack is out, but it’s not going to escape being problematic for some:

Uh oh pic.twitter.com/J7H5Bh0l1L

— Stephen Miller (@redsteeze) July 19, 2019

“Uh oh” indeed:

Much of Beyoncé’s new curated "Lion King" album is an impressive feat of diasporic collaboration, which makes its failure to include artists from Serengeti-adjacent countries especially regrettable, @ethiopienne writes: https://t.co/VzrS7aKG1r

— The Atlantic (@TheAtlantic) July 19, 2019

There is nothing that isn’t highly problematic for the Left anymore:

Is "narrative fidelity" the NewSpeak for "failure to have your work approved by a self-anointed SJW committee?" https://t.co/NBN68agtXL

— The Wren (@WWren) July 19, 2019

From the fictional land where animals converse with one another in English?

— JRP (@JRPSD) July 19, 2019

Not a single song was sung by real lions

— Dean in RI (@dean8669) July 19, 2019

It's super satisfying watching them turn on their own.

— RanGenie (@LoveYourFacexo) July 19, 2019

Not even kidding when I say this is the bravest piece of writing I've seen all year. The Beyhive is going to destroy whoever wrote this.

— Chuck Ross (@ChuckRossDC) July 19, 2019

Wait until The Atlantic finds out all her songs are written by a bunch of men.

— Stephen Miller (@redsteeze) July 19, 2019

Pass the popcorn!